abstract

• Public outreach through publications and recordingsas Fellow of Caribbean Art at Smarthistory, 2022-present: https://smarthistory.org/author/dr-tamara-diaz-calcano/ 2022
• “Adornments of Identity: Jewelry and Ornamentationin Portraiture and Religious Paintings in ViceregalLatin America”, as part of Thoma Visiting Scholar inSpanish Colonial Art program. LLILAS Benson andthe Latin American Studies collections, University ofTexas, Austin.
• “Los frutos de la conquista: la representación de lacomida y la figura femenina en las pinturas decasta”, in Comunicaciones del I CongresoInternacional de Jóvenes Investigadores-Coleccionismo, mecenazgo y mercado artístico enEspaña e Iberoamérica. Editorial Universidad deSevilla, Sevilla
• “Michel-Jean Cazabon: an approach to his artisticdevelopment and years in Europe”, Conference:Historia del arte en desarrollo, Faculty of GeneralStudies, University of Puerto Rico, Rio Piedrascampus.
• “The Mulatto Woman as Venus: An Exploration ofthe Representation of Mulatto Women in CaribbeanArt” in NAAAS & Affiliates 25th Joint NationalConference 2017, Dallas, Texas. MonographsSeries. NAAS & Affiliates, Scarborough, ME.
• “The ancient sugar kingdom: reconsidering the sugarplantation in the work of Francisco Oller”, LandscapeArt of the Americas: Sites of Human Interventionacross the Nineteenth Century Symposium,University of the Andes, Bogotá, Colombia.
• •“Puerto Rico en papel: La recuperación del RegistroCivil”. Coauthor with Hilian M. Colón. In Acopio,online journal of the Comunidad de PrácticaDesarrollo Colaborativo de Colecciones de laUniversidad de Puerto Rico (CPDCC-UPR).